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"Temple": Tenacity in Water & Steel

  • Writer: nyallure1
    nyallure1
  • Nov 17, 2025
  • 3 min read

Rick Owens' SS26 womenswear collection, titled Temple, feels less like a runway under lights and more like a ritual under stones—weighty, uncompromising, yet drenched in its own mythology. Set at the Palais de Tokyo, the show effectively served as a living complement to his "Temple of Love" retrospective at the Palais Galliera. In this season, Owens confronts vulnerability, spectacle, strength, and memory—all at once.


From the moment the models descended metal stairs and waded through water, there was a sense of baptism—of trial by element—where fabrics clung, boots sloshed, silhouettes distorted by movement. Owens often works with tension between fluid and rigid; here, that tension becomes drama. He frame-shifts seduction with confrontation.


Signature Owens elements are present: exaggerated shoulder pieces (think "Dracula collars"), sculptural leather, heavy boots, distorted proportions. But SS26 tempers some of his more aggressive hallmarks with softness—sheer layers, organza, nylon tulle that whisper where leather once roared.


Leather is shredded, fringed, cut-open. Jackets, cloaks made by Straytukay bear leather spikes or raw edges, swaying like wings or broken armour. Nylon and silk taffeta appear alongside those, in fluid or draped forms, demonstrating Owens's dance between hardness and vulnerability.


Bras by Livy emerge under open dresses; sheer tanks and slips reveal skin or undergarment in ways that tempt but also protect. The geometry of seams—bisecting torsos, structuring skirts—gives architecture to what might otherwise dissolve under wetness.


The staging plays a huge role. Models walk over elevated structures, descend directly into fountain water, wade through it. Black contact lenses (covering both pupils and sclera) evoke otherworldliness, alien or refugee imagery depending on one's reading. The water becomes both literal and symbolic—purifier, obstacle, element that reveals form in motion.


Owens describes the garments as "delicate and pretty, but there's a steeliness to the prettiness... During uncomfortable times in history, tenacity is paramount." That phrase captures SS26: beauty forged in adversity, elegance carved from grit. The show crescendos from structured outerwear and leather weapons toward garments that flutter, drip, reveal.


The tension between strength and fragility feels earned. Owens’ juxtaposition of materials — rigid leather with vaporous tulle, armor-like shoulder pieces with fluid drapery — creates visual complexity. The show's spectacle serves meaning, not merely shock. Water, contact lenses, lighting— all amplify themes rather than distract. Owens continues to innovate in performance as fashion: this show feels like worship, questioning, letting garment and body coexist in exposure. Certain pieces (e.g. sheer morning dresses cut to reveal just enough, or heavy leather jackets with raw cuts) have strong resonance; they feel iconic and distinct rather than derivative.


While ritualistic spectacle is compelling, some parts risk feeling overly metaphorical—where the garment becomes subordinate to the staging. For buyers or everyday wearers, translating these ideas may be harder. The elevated platform boots, dripping fabric, water effects: powerful in context, but may lose nuance off-runway or in commercial images. Color palette remains muted (Owens' hallmark), which allows the textures and forms to show—but there is risk of visual fatigue if contrast in tone or accent is too minimal.


Rick Owens SS26 Temple is not comfortable fashion; it is questioning, it is defiant, it is ritualized. It is a show that reminds us that clothing is both armor and skin: something to protect us, something that reveals. In years to come, some looks will likely outlive momentary shock—they will be remembered as Owens pieces that asked us to lean in, to feel movement, to understand beauty and hardness as inseparable.


In a season crowded with flash, Temple stands out for its emotional gravity. Owens doesn't offer easy solace—he offers tenacity. And maybe, in "tough clothes for tough times," that's exactly what is needed.

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