Soft Borders, Abstract Flow & the Strength of Pretty
- nyallure1
- Sep 28, 2025
- 3 min read
Ulla Johnson opens her SS26 collection inspired by the work of abstract painter Helen Frankenthaler - specifically three paintings, Western Dream, Nature Abhors a Vacuum, and Moon Tide - allowing their fluid color, formless edges, and expressive energy to inform garments that are both airy and intentional.
Johnson delves into the question: Is the word "pretty" undervalued in fashion, especially when paired with femininity? Her answer is a definitive no. The collection leans in hard toward softness—diaphanous silks and chiffons, feather embellishments, fringe, and whorls of color—but she counsels strength through softness. Johnson seems to assert that delicacy does not mean weakness.
Textures float. Edges blur. Shapes are loose yet composed, with drape and movement measured rather than wild. Some garments feel painterly, with color washes, soft fades, and layered transparency. Accessories and even her bag range nod toward the art source — prints and color palettes drawn from the paintings.
Johnson's love for collaborating with women artists and estates is more than aesthetic—it gives her work depth. Invoking Frankenthaler gives a narrative backbone; the painter's interest in abstract form, in letting edges dissolve, feels genuinely embodied in the clothes. The weightless fabrics, feather trims, fringe, and movement lend a dream-like quality, but there's discipline in cut, proportion, and detail. Johnson avoids flaccidity; she uses softness with an edge. The contrast is interesting. The color palette is inspired by Frankenthaler's works— with washes, whorls, and abstract forms. Prints also appear in her accessories and bag line. It's pretty without feeling saccharine.
Some of the most ethereal pieces-very sheer, heavily fringed, very feathered or delicate-feel more runway fantasy than daily wear. There's beauty, but for many consumers, the balance between statement and function is delicate here. Johnson usually works well with structure, but this season, the more "sturdy" side could be more pronounced. Some garments could benefit from a touch more substance (heavier fabrics, stronger tailoring) to anchor the collection's lighter moments. Johnson herself wrestles with this. The concern she quotes — that "pretty" or "feminine" might be taken to mean not serious — is evident: visually, some pieces risk being stripped of their strong identity if the prettiness overtakes presence. More contrast (e.g., sharper edges, unexpected textures) might counteract that.
Here are the most shoppable or compelling cues from Ulla Johnson SS26:
1. Diaphanous Fabrics & Sheer Layers
• Silks, chiffons, layers that let light pass through; plan understates (linings, slips) carefully. These lend movement and softness.
2. Feathers & Fringes as Surface Detail
• Feather trims, fringe, embellishments that flutter. Use them as accents rather than dominant pieces for more versatility.
3. Painterly Color Washes & Prints
• Soft abstract prints, washes of color that fade into another; prints inspired by art rather than obvious florals or geometric repeats.
4. Soft Edges, Blurred Seams
• Designs where edges are not rigid-rolled hems, raw finishes, blurred color boundaries. Clothes that feel like they're melting into the air.
5. Accessories Mirroring Art Inspiration
• Bags, small items using prints or color palettes from artworks; color applied lightly via accessories can let "art" feel part of everyday dressing.
6. Balancing Pretty with Presence
• Pair delicate or pretty garments with something sturdier: a heavier coat, structured shoe, belt, or hardware-accented piece. Let softness shine, but anchor it.
Ulla Johnson SS26 is a testament to the value of beauty - that softness, femininity, and prettiness can be powerful when given space, intention, and craftsmanship. It's an invitation: beauty doesn't require an apology, and being pretty doesn't mean being powerless.
For consumers, this collection offers many pieces that feel aspirational, as well as numerous wardrobe moments—flowy skirts, chiffon layering, and art-inspired prints—that can translate into real life if styled with awareness of both function and mood.
It might not be the season for heavy armor or bold structural disruption. Still, for those who want garments that move, breathe, and evoke an emotional response, Ulla Johnson delivers a quietly strong statement.







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